“We were always having discussions about having the prosthetics as thin as humanly possible so the emotions can come out and Walton’s movements can translate appropriately through the piece.”
“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
“I’m not sure if you noticed, but he is wearing his Cooper Howard costume, his cowboy shirt and cowboy pants, and even the same boot aged many, many, many, many years.”
“All we did was remove their noses.” VFX Supervisor Jay Worth is one artists behind the fully-realized characters and world…