The Bear and Shōgun dominated this year’s Emmy Awards, making it a landmark year for FX and its acclaimed shows.
Two of FX’s most acclaimed shows, The Bear and Shōgun, dominated this year’s Creative Arts Emmy Awards with historic wins.
“The dialogue drives the story and moves the narratives, but these empty spaces let us feel more intimate to their brain space and their experience. Also, allow the audience to connect to their experience or their thoughts more.”
“We always knew that the sun set right behind the mountains in front of Hiro.”
“Episode seven, in particular, it’s almost black and white. It’s almost a monochromatic episode other than the little punctuations of light that are in it.”
Beloved shows such as Baby Reindeer, Fallout, Shōgun, and Feud: Capote Vs. The Swans are few of the many shows nominated.
At the TCA Awards, Shōgun, Hacks, and Baby Reindeer were a few of the shows awarded for outstanding storytelling.
“Episode nine, in particular, for me, it’s almost a, this is how you shoot anamorphic. This is how you use an anamorphic lens to tell a story.”
The most dramatic Shōgun death scene was a painful loss made all the more more effective by its brute quickness.
“Episode nine, in particular, for me, it almost a, this is how you shoot anamorphic. This is how you use an anamorphic lens to tell a story.”