“There is always red tape around songs. Part of it is I do a lot of projects that are hip hop based, so always, you’re finding a writer who has 2%. You’re like, where are they? And you’re on Instagram and you’re trying Twitter, you’re really trying to do that. Even now with pop music being so many writers, producers contributing, and samples, all this stuff is complicated.”
“The reason why there are two DPs on it is because there’s so much to shoot every day. So you couldn’t physically be in two places at the same time. It’s in real-time, so when they get up in the morning right through to when they go to sleep at night, filming them essentially.”
Taraji P. Henson, Don Cheadle, Kevin Hart, and Samuel L. Jackson lead the new crime story, based on an iHeart true-crime podcast.
Beloved shows such as Baby Reindeer, Fallout, Shōgun, and Feud: Capote Vs. The Swans are few of the many shows nominated.
John Woo’s remake of his own classic debuts on Peacock next month.
“I’ve got my sandbox, my parameters. Now I can just play within those parameters and have fun. I feel like that’s the cool thing about episodic work in general.”
Cinematographer Jeffrey C. Mygatt on how to get a 12-hour day done in 10.
A Q & A with the costume designer behind Daredevil and Jessica Jones about her vibrant work on Twisted Metal.
Twisted Metal is a success story for video game adaptations, and it was all shot by cinematographer James McMillan and his “pit crew.”
“There’s a certain tweeness to how people see stop-motion sometimes that works with the world of NPR. The fact that our characters are these puppets with fragile bodies and big heads controlled by forces outside of their consciousness just fit.”
