“I’ve got my sandbox, my parameters. Now I can just play within those parameters and have fun. I feel like that’s the cool thing about episodic work in general.”
Cinematographer Jeffrey C. Mygatt on how to get a 12-hour day done in 10.
A Q & A with the costume designer behind Daredevil and Jessica Jones about her vibrant work on Twisted Metal.
Twisted Metal is a success story for video game adaptations, and it was all shot by cinematographer James McMillan and his “pit crew.”
“There’s a certain tweeness to how people see stop-motion sometimes that works with the world of NPR. The fact that our characters are these puppets with fragile bodies and big heads controlled by forces outside of their consciousness just fit.”
“I love this project so much because it hits all the things that I love to put into scores, which is weird and zany, funky things, just fun textures and layers that’s not always melody.”
“When Ted and John pass a bong back and forth, you have to have a little bit of a handoff from a real prop to a digital one when Ted grabs it. We try to overlap that as much as we can, so that it’s seamless, but the artists do such a great job with the water simmering in the bong and the smoke.”
Some actors are just enjoyable to listen to, especially when they got juicy lines; Pierce falls into that exclusive camp.
The Peacock series is the kind of show that balances the high and low brow well, balancing the crude and thoughtful.
Although originally billed as a limited series, Peacock has ordered another round of their Emmy-contender.