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We shot it in New York and not another place to capture New York, and we wanted it to feel very much like a New York show. Being grounded in New York, the way New York is now… the old Hell’s Kitchen is no longer now. It’s regentrified and revitalized itself, so we wanted to capture that. That feeling like, ‘There are a few spots that retain the same old Hell’s Kitchen feel, but New York has changed, and it’s a different place”… We shot on the streets all the time, but we also had to build many sets.

I think the difference in this one is a lot of the fight stuff is hand-to-hand combat. The idea of Wolverine, the claws have that classic “snikt” sound. That’s something that has been around since the beginning. I augmented it a little bit, but I wasn’t about to reinvent iconic sound. That’s the thing with the Marvel Universe is you don’t need to reinvent the shield but what you can do add to the universe for the movie that you’re in. Our film is a much more realistic take on a Marvel film.