“This suit is his safe place. He feels like a superman, because when he’s on stage as a comedian, that’s where he becomes his true self and he feels most free.”
“It was a real pleasure to be able to do The Queen justice, because the show is ultimately about her.”
“The challenge really was in showing Diana on holiday without her kind of trademark hairstyle. It’s still saying Diana, so we would agonize over this wig when it had had salt water in it and she’d been diving. We just didn’t have the usual public silhouette that we could rely on.”
“With Guy, a comfortable gentleman is somebody who can walk around in a suit and feel very assertive and at ease.”
“I couldn’t rent a sofa or a chair there. I had to buy it since we’re going to cover it in blood.”
“Guy Ritchie definitely likes to come up with alternate perspectives on everything and turn things on their head.”
“When you see these awful fits and everything doesn’t fit or it’s just put together very haphazardly, that’s consciously done knowing that, well, where is Martha’s state of mind?”
“I think audiences want the score to tell you things that isn’t on screen. It does not just react to what’s there, but tells the story in a parallel way.”
“I thought that the world of Baby Reindeer needs to be gritty, and there’s nothing pretty about it.”
Baby Reindeer, Mr. & Mrs Smith, and 3 Body Problem were a few of the many shows celebrated this year by The Gotham Film & Media Institute.