“We were always having discussions about having the prosthetics as thin as humanly possible so the emotions can come out and Walton’s movements can translate appropriately through the piece.”
“There is a mental aspect of it, because I think any normal person doesn’t think it’s a good idea to get hit by a car, right?”
“The songs have an interesting dual meaning that fits the show, especially if you’re a vault dweller and you have a romantic version of what the world is and it connects back to the tragedy of why they’re in the vault in the first place.”
“I’ve done a lot of Victorian work. It has the same queen and Victorian house with lots of ornate stuff in there. It has nothing over those vaults. The vaults are insane.”
Christopher Nolan’s science-fiction epic is returning to theaters to once again make you emotional about love spanning space and time.
“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
“There were so many prototypes for the vault suits, and it was a fine line between paying enough respect to the existing suit, but making it interesting and new.”
The Fallout VFX supervisor breaks down creating a cyclops, the gulper, Snip Snip, and other gloriously odd sights.
“The gulper is still the craziest creature I’ve ever had to do.”
“All we did was remove their noses.” VFX Supervisor Jay Worth is one artists behind the fully-realized characters and world…