“We always knew that the sun set right behind the mountains in front of Hiro.”
“Episode seven, in particular, it’s almost black and white. It’s almost a monochromatic episode other than the little punctuations of light that are in it.”
“Episode nine, in particular, for me, it’s almost a, this is how you shoot anamorphic. This is how you use an anamorphic lens to tell a story.”
The most dramatic Shōgun death scene was a painful loss made all the more more effective by its brute quickness.
“Episode nine, in particular, for me, it almost a, this is how you shoot anamorphic. This is how you use an anamorphic lens to tell a story.”