“Well, when I read the script, the first thing that came to mind was actually a painting, The Garden of Earthly Delights by Hieronymus Bosch, because it felt like a feast—an alien feast—and it’s kind of dark. But if you look more closely, it’s also sumptuous and full. The whole design of the movie and the way we wanted it to look and feel was kind of based on that painting and a lot of Bosch’s work.”
“As a cinematographer, I love actors. I could never act, my daughter’s an actor, my brother’s an actor, but I love acting and actors. I love watching them. So, you create for me to create an environment with a camera and lighting, that these actors can find their space within it. With minor adjustments you’re going to add a bit, subtract a bit, and as you find what they want to do and the action and the shots, you can just add a bit or subtract.”
“We were trying to write a film about somebody finding their voice, and then it developed into a story of a chef. We are really related to this mix of ambition and self-doubt. A lot of our writing comes from a very personal place, from our own experiences working on film sets as young whipper snappers and camera interns and PAs and stuff.”
The Academy Award-winner and Tony-nominated talent, known for West Side Story and Hamilton, is a great artist starring in an upcoming horror movie from Prime.
“The songs have an interesting dual meaning that fits the show, especially if you’re a vault dweller and you have a romantic version of what the world is and it connects back to the tragedy of why they’re in the vault in the first place.”
Fallout editor, Ali Comperchio, introduces the vast world with remarkable ease with the pilot, aptly titled “The End.”
Beloved shows such as Baby Reindeer, Fallout, Shōgun, and Feud: Capote Vs. The Swans are few of the many shows nominated.
“If we don’t love it, we’re not going to waste the time to make fun of it.”
“Things are always up and down. It is riding the horse in the direction it’s going, because eventually, it’ll stop. You’ll get off and you’ll find another horse.”
“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
