“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
The Gen V finale director Sanaa Hamri (Wheel of Time) is no stranger to creating large-scale episodes of television.
Director Dorsay Alavi crafts a dreamy trip through jazz musician Wayne Shorter’s imagination with her three-part documentary.
“You would not think that that scene would be difficult because it’s all one shot. For an editor, you would think, oh, she could just put her feet up for half a day. It didn’t work like that. Here’s what happened…”
“There were so many prototypes for the vault suits, and it was a fine line between paying enough respect to the existing suit, but making it interesting and new.”
The Fallout VFX supervisor breaks down creating a cyclops, the gulper, Snip Snip, and other gloriously odd sights.
“The gulper is still the craziest creature I’ve ever had to do.”
“When I started prepping the ‘First Vacation’ episode with Karena [Evans] I did joke that this episode might be our best pitch for shooting a James Bond movie!”
“I’m not sure if you noticed, but he is wearing his Cooper Howard costume, his cowboy shirt and cowboy pants, and even the same boot aged many, many, many, many years.”
“All we did was remove their noses.” VFX Supervisor Jay Worth is one artists behind the fully-realized characters and world…