David Lynch (1946-2025) was one of the most indelible filmmakers of the past 50 years, and his filmmaking style was so unique that any film that came close to his method was dubbed Lynchian. He was certainly an important filmmaker to me in my formative years. As an avid film watcher in my youth, my life was changed when I saw a VHS copy of Blue Velvet when I was 13. No one ever made films like him and no one ever will again. His creativity and absolute command of all of the tenets of art bled out in every frame of his works.
The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Theatrical Feature Film for 2024 are (in alphabetical order):
I happen to think that the films that I do, I feel like in the end, are not going to be disposable, that they’re going to be movies that people want to revisit. So it’s up to me to make sure every detail goes into them so when they do revisit it, they enjoy it even more or see something they never saw.
We built an image-based treatment as an edit of the film to explore how Elwood and Turner see the world differently. Then we populated it with the necessary language to convey certain moments. We worked with this idea called adjacent imagery – imagery that’s not solely plot-driven. It has a sort of experiential, metaphoric, and symbolic resonance so that it’s not so utilitarian.
“I think if you were in a room with people, and everyone said this, if in a room with Keith and Mick and Anita and Brian and everything, people noticed Anita first. She was a very unusual woman for that time, very independent, spoke five languages, traveled, didn’t look to the man to talk for her, didn’t really give two fucks about anything.”
“Our thinking throughout the whole show was that we were basic in Donny’s head, and that was a principle that was kind of linking everything together.”
“Here’s someone who had a passion and who lived for it, who dedicated herself to her art form.”
Jeff Wolfe is a veteran actor, stuntman, director, and second-unit director with over 200 credits.
The Gen V finale director Sanaa Hamri (Wheel of Time) is no stranger to creating large-scale episodes of television.
One of the artist behind all the rollicking mutant action and compelling drama takes Immersive behind the scenes of X-Men ’97.