Fresh Kills writer, director, and co-star, Jennifer Esposito, spoke with Immersive Media about making her exceptional directorial debut.
“Have you ever googled the positive effects of horror films? They’re so good for your brain, for your nervous system, for endorphins.”
“We were taking it back to a kind of first principle nature of storytelling, which is what is the pure lived experience of these characters.”
The most dramatic Shōgun death scene was a painful loss made all the more more effective by its brute quickness.
True Detective: Night Country composer Vince Pope turns up the horror for the latest addition to the HBO series.
The primary editor of How I Met Your Father, Russell Griffin, took Immersive Media behind the scenes of the acclaimed sitcom, as well as his membership in ACE.
“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
Mr. & Mrs. Smith composer David Fleming didn’t want a familiar score for the spy thriller. He wanted to write the arthouse version of one.
Cinematographer Jeffrey C. Mygatt on how to get a 12-hour day done in 10.
The Gen V finale director Sanaa Hamri (Wheel of Time) is no stranger to creating large-scale episodes of television.