“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
Mr. & Mrs. Smith composer David Fleming didn’t want a familiar score for the spy thriller. He wanted to write the arthouse version of one.
The Gen V finale director Sanaa Hamri (Wheel of Time) is no stranger to creating large-scale episodes of television.
“I hope people watch this and not only want to rewind it much again, because it was fun, but also that they have a story that maybe they connect with on a personal level.”
“You would not think that that scene would be difficult because it’s all one shot. For an editor, you would think, oh, she could just put her feet up for half a day. It didn’t work like that. Here’s what happened…”
“There were so many prototypes for the vault suits, and it was a fine line between paying enough respect to the existing suit, but making it interesting and new.”
The Fallout VFX supervisor breaks down creating a cyclops, the gulper, Snip Snip, and other gloriously odd sights.
“When I started prepping the ‘First Vacation’ episode with Karena [Evans] I did joke that this episode might be our best pitch for shooting a James Bond movie!”
“There were so many prototypes that we were testing.”