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I made many quiet clothes that fit well, like trousers and flares. Sometimes, I found a blouse, piece of jewelry, or something that felt right, and we built around it. I wanted to be tethered to real finds and tie everything to reality. If you start using too many theatrical devices, you’re just taking steps further away from keeping that sort of visceral feeling that it needed. I had to go from the script.

Being a showrunner means you have to think globally about the emotional architecture of the show, and you’re also making sure the props are correct because if the prop isn’t right, it will ruin the shot. So you’re writing and shooting and editing at the same time.The sheer number of daily decisions is vast, especially if you have the personality type that cares about the details.