“English Teacher is so special because what they are doing is they are fusing current culture and political climate with the haplessness of being an actual person. You think you’re going to get taught a lesson, you think it’s going to be some morality play, but it ends up being about how you maintain your sort of authenticity in a world that’s constantly shifting…”
“I love this current season. I think the story and the message are great, and I thought the performances were excellent. I just thought everybody every department, every person was functioning at such a high level this season.”
“I’m first and foremost a cinephile, our aspirations are always cinematic and all of our references are always cinematic. And I think the beauty of Noah and the show as he manufactures it year by year is its containment and that it is, in this case, a 10-episode movie, and I don’t treat it any differently.”
“I have learned from creators and creatives and storytellers of all kinds, and hopefully, that was brought in at its most truthful and careful capacity here.”
“We always knew that the sun set right behind the mountains in front of Hiro.”
“It feels like Ritchie is in Dune going down the hallways, like he’s in some battleship from Star Wars when he is in the kitchen. It really started having this sci-fi feeling.”
Rob McElhenney expressed gratitude and hope for all the dreamers out there at an event welcoming AFC Mens and Women’s teams.
Beloved shows such as Baby Reindeer, Fallout, Shōgun, and Feud: Capote Vs. The Swans are few of the many shows nominated.
“I like to have my assistants talk about the scenes we’re getting the day before we’re getting them. We discuss at length emotional anchors and what we’re looking for in the scene. So, when they do receive the dailies, they are looking for those things with that in mind.”
“Episode nine, in particular, for me, it’s almost a, this is how you shoot anamorphic. This is how you use an anamorphic lens to tell a story.”