Composer Julia Newman captures the fantastical, sometimes tantalizing and heavy weight of the upper-class hellscape.
“A big part is working really carefully with hair and makeup, because with the right hairdo and the right makeup, we can take something that’s maybe not real designer and can elevate it.”
“Capote gigantic viper, just a stuffed snake that sat on the coffee table right in the middle of the room. I don’t know what it meant to him, but it’s the kind of detail that you can’t not put in there.”