Kelsey Grammer comes from the golden age of sitcoms. He wants to stick to making sure the audience is enjoying the process. It is a live play. Let’s get it as best we can all week with rehearsals, and then we put it on in front of an audience and get to see the energy.
I just sit there in awe, I just receive it. I don’t even go on set, I’m in the studio, but I don’t like to tread on set and kind of spoil my vision of what they’re giving me. I can respond to only what I’m receiving and I think I’m the first audience member for the film.
“I think that it was fascinating because we approached it like a narrative movie. We’re telling a story and Albert’s the main character. He set me off to find every archival piece of footage I could find.”
“He was an artist. He would draw and he would draw characters. He would draw little monsters and characters. But puppetry allowed him to take all these different crafts, filmmaking, writing comedy art, and combine them and do something innovative in one new medium, one medium, which was puppetry.”
The primary editor of How I Met Your Father, Russell Griffin, took Immersive Media behind the scenes of the acclaimed sitcom, as well as his membership in ACE.
“It was a real pleasure to be able to do The Queen justice, because the show is ultimately about her.”
“I hope people watch this and not only want to rewind it much again, because it was fun, but also that they have a story that maybe they connect with on a personal level.”
“You would not think that that scene would be difficult because it’s all one shot. For an editor, you would think, oh, she could just put her feet up for half a day. It didn’t work like that. Here’s what happened…”
“A lot of it was therapy for us.”
