When I come onto the show, I read the scripts for all the episodes leading up to my episode. I try not to read past what I’m cutting. I don’t wanna know where these characters are going. I wanna stay grounded in what they’re doing in that moment. I’ll see the episodes once they’re cut and ready to be viewed. Once I get started, I’ll know which aspects I like while making the episode I’m working on stand on its own two feet.
“Part of my job as a cinematographer is to prepare as much as possible, then be ready for all the changes on the day. And then having a team of people that can support you so that you can be present. I think that’s something I learned with maturity.”
Detective Sugar (Colin Farrell) will return in Sugar season two. The first season was well-liked by audiences and critics, but the show deserves more love for its ambitious narrative and substantial style, the latter of which earned cinematographer Richard Rutkowski an Emmy Nomination for outstanding cinemtoagraphy. The Apple TV+ program is an excellent sci-fi drama, a film noir with a bold twist.
The production designer behind Lady in the Lake and Beyoncé’s Lemonade has wise advice and a personal story to share with all the future production designers out there.
Colleen Atwood is the great costume designer behind Chicago, several Tim Burton classics, and now, Masters of the Air.
“A big goal for me is always, can I build a whole world? Can I create something that feels different, but then also comprehensive?”
