“It was a real pleasure to be able to do The Queen justice, because the show is ultimately about her.”
Composer Julia Newman captures the fantastical, sometimes tantalizing and heavy weight of the upper-class hellscape.
“We’re having the most fun when we write something that goes really hard. I think part of going hard is we also go hard in the feels department.”
One of the artist behind all the rollicking mutant action and compelling drama takes Immersive behind the scenes of X-Men ’97.
Two of the minds behind one of the finest dramas of the year spoke with Immersive Media about displaying empathy and honesty in true crime.
“I hope people watch this and not only want to rewind it much again, because it was fun, but also that they have a story that maybe they connect with on a personal level.”
Director Dorsay Alavi crafts a dreamy trip through jazz musician Wayne Shorter’s imagination with her three-part documentary.
A Q & A with the costume designer behind Daredevil and Jessica Jones about her vibrant work on Twisted Metal.
“A big part is working really carefully with hair and makeup, because with the right hairdo and the right makeup, we can take something that’s maybe not real designer and can elevate it.”
“The challenge really was in showing Diana on holiday without her kind of trademark hairstyle. It’s still saying Diana, so we would agonize over this wig when it had had salt water in it and she’d been diving. We just didn’t have the usual public silhouette that we could rely on.”