Two of the minds behind one of the finest dramas of the year spoke with Immersive Media about displaying empathy and honesty in true crime.
“I hope people watch this and not only want to rewind it much again, because it was fun, but also that they have a story that maybe they connect with on a personal level.”
Director Dorsay Alavi crafts a dreamy trip through jazz musician Wayne Shorter’s imagination with her three-part documentary.
A Q & A with the costume designer behind Daredevil and Jessica Jones about her vibrant work on Twisted Metal.
“A big part is working really carefully with hair and makeup, because with the right hairdo and the right makeup, we can take something that’s maybe not real designer and can elevate it.”
“Capote gigantic viper, just a stuffed snake that sat on the coffee table right in the middle of the room. I don’t know what it meant to him, but it’s the kind of detail that you can’t not put in there.”
“When you’re on these bikes, they’re vibrating underneath you, and you’re on these long road trips that these guys, all that noise and all that wind and all that vibration, it’s got to almost all bleed together. You’re almost floating.”
Twisted Metal is a success story for video game adaptations, and it was all shot by cinematographer James McMillan and his “pit crew.”
Austin Butler and Tom Hardy bring an intense emotional and physical intimacy to The Bikeriders, including a lovely scene that yells romance.
“There’s a certain tweeness to how people see stop-motion sometimes that works with the world of NPR. The fact that our characters are these puppets with fragile bodies and big heads controlled by forces outside of their consciousness just fit.”