Fresh Kills writer, director, and co-star, Jennifer Esposito, spoke with Immersive Media about making her exceptional directorial debut.
True Detective: Night Country composer Vince Pope turns up the horror for the latest addition to the HBO series.
“Cut from Cooper Howard to the Ghoul where everything gets dismantled with broken instruments and rattling things and scratching.”
Mr. & Mrs. Smith composer David Fleming didn’t want a familiar score for the spy thriller. He wanted to write the arthouse version of one.
Cinematographer Jeffrey C. Mygatt on how to get a 12-hour day done in 10.
The Gen V finale director Sanaa Hamri (Wheel of Time) is no stranger to creating large-scale episodes of television.
Composer Julia Newman captures the fantastical, sometimes tantalizing and heavy weight of the upper-class hellscape.
“We’re having the most fun when we write something that goes really hard. I think part of going hard is we also go hard in the feels department.”
One of the artist behind all the rollicking mutant action and compelling drama takes Immersive behind the scenes of X-Men ’97.
Two of the minds behind one of the finest dramas of the year spoke with Immersive Media about displaying empathy and honesty in true crime.