“Have you ever googled the positive effects of horror films? They’re so good for your brain, for your nervous system, for endorphins.”
“We were taking it back to a kind of first principle nature of storytelling, which is what is the pure lived experience of these characters.”
The primary editor of How I Met Your Father, Russell Griffin, took Immersive Media behind the scenes of the acclaimed sitcom, as well as his membership in ACE.
“It was a real pleasure to be able to do The Queen justice, because the show is ultimately about her.”
“The challenge really was in showing Diana on holiday without her kind of trademark hairstyle. It’s still saying Diana, so we would agonize over this wig when it had had salt water in it and she’d been diving. We just didn’t have the usual public silhouette that we could rely on.”
Colleen Atwood is the great costume designer behind Chicago, several Tim Burton classics, and now, Masters of the Air.
“Rock was not from New York, Rock was not Actors Studio. He was studio, studio. I think for movies, snobs would put him in a lower-class of actor in a way.”
“For the Arctic Research Center, an inspiration was inside the spaceship Nostromo in Alien; we wanted that kind of sense of foreboding terror that it needed to feel slightly macabre, a bit sinister.”
“We talked a lot about Sicario because it’s an amazing example of a film where procedural police work is filmed in a very distinct, almost in a detached way.”
“That was the tall order, I guess, was how we were able to create Truman Capote from scratch.”